A opportunity to see what is on at your Cathedral.
There are more details at the events page.
A opportunity to see what is on at your Cathedral.
There are more details at the events page.
Some concerns have been expressed about the appropriateness of our Make Christmas Great Again (#MCGA) Campaign in using language that echoes words of a certain world leader.
We are not unaware this danger but believe that rather than undermining our message about the really, really good news of Christmas we are continuing the ancient Christian tradition of using worldly words to undermine worldly claims to power in the light of Christ and God’s kingdom.
For instance, the primary declaration of the early Church that “Jesus Christ is Lord” was a direct challenge to the claim “Caesar is Lord.” The Christians knew that using the language of Empire was dangerous, undermining the claims of Rome, but as God had raised Jesus from the dead there was a new king in town, so to speak.
The word gospel which begins Mark’s account of Jesus, is the word used to announce the arrival of new emperor, here it becomes the good news announcing that the Son of God has come. This challenge continues in the usual New Testament word for Jesus’ return, parousia, which was used for the arrival of the Emperor in all his glory and power. The early Christians use worldly words of empire to subvert, undermine and ultimately trivialise all earthly claims of power with the reality of the coming King.
The same challenge to the fake news of worldly political power is at the heart of the Christmas stories. In Matthew, wise men come to the centre of power in Jerusalem, to King Herod, and ask ‘Where is the child who has been born king of the Jews?’ Its hard to imagine a more direct challenge to existing worldly authority than this question.
Luke reminds us that the Emperor at the time of Jesus birth was Augustus, who had monuments inscribed with “Saviour of the world.” Luke subverts this claim by pointing us to a baby born in the back of a inn in the back of beyond of whom the Angel says. “I am bringing you good news of great joy for all the people: to you is born this day in the city of David a Saviour, who is the Messiah, the Lord.”
This is really good news of Christmas. It challenges all world leaders, all worldly words of power, and turns them around. It challenges us to turn from fake news of claims of greatness to see the stunning greatness of God with us come in humility and to serve.
So should we then use the words of worldly power to subvert and undermine its claims and challenge our own thinking? It seems to me … if the cap fits…
‘Go into all the world …’
by being in the heart of the city.
* No air fares * No immunisations *No passports * No visas required
Saint David’s Cathedral is committed to
Proclaiming Jesus as Lord in the heart of Hobart –
to build a community of living faith, profound hope and practical love.
The Cathedral daily receives and welcomes 40 to 100 visitors, tourists and those seeking sanctuary. With more cruise ships arriving, we are welcoming people from all over the world. All are welcome to experience the Cathedral’s beauty and tranquillity. Our Cathedral’s architecture, windows and decorations all proclaim the Gospel of our Lord Jesus Christ.
There is a wonderful opportunity for people to welcome those who come into the Cathedral to Hobart and to use the building to speak of our welcoming God. We have a dedicated team of such people, but we’re looking for committed Christians from any denomination to join us in this wonderful ministry
You can be a Cathedral Welcomer once a week, once a fortnight or once a month – you could even do a whole week. Training is provided and there are always two Welcomers rostered on together.
For more information and requirements for authorisation, you are welcome to contact Raelene Weissel at firstname.lastname@example.org or the Cathedral Office on 6234 4900.
Reach the world for Christ …
…and be home in time for dinner!
Leaflets can be download here.
Happy birthday the Cathedral Church of St. David, Hobart City and the Diocese of Tasmania, all 175 today by the same Letters Patent signed by Queen Victoria on this day, 21st August 1842 (Pictured to the left)
Below is the important part of the text, the full text can be found here.
VICTORIA BY THE GRACE OF GOD of the United Kingdom of Great Britain and Ireland Queen Defender of the faith TO ALL TO WHOM these Presents shall come Greetings…
We do further by … Presents erect make ordain and constitute the said Church of Saint David in Hobart Town aforesaid to be a Cathedral Church and Bishop’s See and do ordain that the whole Town of Hobart Town shall henceforth be a City and be called “The City of Hobart Town”
.. do ordain make constitute and declare [the Colony of Van Diemens Land] to be the Diocese of the Bishop of Tasmania …and to be called in all time coming THE DIOCESE OF TASMANIA
TAHO: NS3587/1/1, 21st August 1842 Anglican Diocese of Tasmania: Letters Patent and Privy Seal for Francis Russell Nixon, Lord Bishop of Tasmania
We are launching an appeal to the tune of $250,000.
St. David’s Pipe Organ is a magnificent musical instrument which has served the Cathedral and its congregations and the wider community over many years.
Age has now caught up with our Organ and work urgently needs to be done to ensure that it is able to serve the community for years to come.
This work will commence after Easter this year.
We have already secured over $40,000 so we are well on the way.
Donations can be made to St David’s Cathedral Foundation by cheque or electronically BSB 067 002 Acc No. 1017 9982 with a reference of Organ
If you require tax deductibility, please make cheques out to: The National Trust of Australia (Tasmania) St David’s Cathedral Conservation Appeal or electronically the reference should be Organ Nat Trust. You will need to provide a name and address for receipt.
For more information about the Foundation or supporting St. David’s
contact email@example.com, GPO Box 748, Hobart 7001
The full flyer is available here Help us prevent Organ Failure 2017
We’d love to know if anyone can beat it?
David Kirby joined the Choir of St David’s Cathedral, Hobart, Tasmania, Australia, as a boy soprano at the beginning of 1942, aged 8 years. He was awarded a choir scholarship, which helped defray educational costs at the nearby Hutchins School. He never left the choir, and at the end of 2016, celebrated 75 years of singing as a Cathedral chorister.
During the 1940s, the Organist and Master of the Choristers, a relatively young John Nicholls, was anxious to retain talented boy choristers in the choir when their voices broke, and they were unable to sing soprano. Certain boys were encouraged to remain in the choir and sing in the lower ranks.
David was one of the first to be selected in this trial, and the first to stay the course. After a short period singing alto, and then tenor, he became a bass at the age of 14.
He served as a bass from 1947 to 2016. When a leading tenor left the choir at Easter 2016, David was asked to fill the gap in the tenor ranks. At the age of 83, he switched from bass to tenor, which involved learning a new part and greater concentration.
David has completed 75 Christmases in the choir – 5 as a choirboy, 69 as a bass and one as a tenor. This period of continuous service in a Anglican Cathedral choir is believed to be an Australian record, and possibly for English Cathedrals as well.
The Deans of Anglican Cathedrals of Australia meet in Townsville this year with the idea of Sanctuary domintating discussions.
A report on the conference can be found here.
Saint David’s is committed to Proclaiming Jesus as Lord in the Heart of Hobart to build a community of living faith, profound hope and practical love.
The Cathedral daily receives and welcomes 40 to 100 visitors, tourists, and those seeking sanctuary. We invite all to experience of the Cathedral’s beauty and tranquillity
The Christian Church has been promoting the arts as evangelistic tools throughout history. Our Cathedral’s architecture, windows, and decorations all proclaim the Gospel as to the addition of Maz Gill-Harper’s Creed paintings.
Our building and our artwork give a great opportunity for frontline mission work within our city that could have effect across the world, throughout time and you’ll be home for tea.
Read about the proposal to use the Cathedral as a mission field and how you can be involved here.
You can also listen to artist Maz Gill-Harper talk about the plan.
Please contact Craig Dumas with any questions you have 0410433941 firstname.lastname@example.org.
For the past few years St David’s has hosted concerts in association with the DARK MOFO Festival. This has raised a few eyebrows for some in the community and caused a few Christians to put pens to paper, or fingers to keyboards. They are concerned that in our association we are promoting a festival which celebrates darkness and so is anti Christian.
I thought it would be worth sharing my thinking about the use of the Cathedral for concerts.
Pragmatically we are public building which had a $3.75 million renovation paid for by Federal, State and local government grants as well as local community donations. In this sense, as well as in other ways we are Hobart’s Cathedral which I believe means we should be looking for ways that the people of Hobart can use and enjoy being in the building.
When we are approached about concerts we evaluate whether it is appropriate for the concert to be held in the Cathedral in terms of both content and logistics. There have been a number of concerts which we have not permitted. MONA wanted to have an organ recital which included a video programme. We wanted to see the video which was not possible in the time frame so the concert could not go ahead here. There are elements of DARK MOFO which we clearly would not allow to happen at the Cathedral
The DARK MOFO concerts we have had here have been a jazz concert, an organ recital, and cellist. This year’s concert on June 20 is called Heart of Darkness: Song and strings on the occasion of the longest night featuring a string quartet and a soprano. I believe that these concerts have not been antithetical to the values of the Cathedral and the Christian faith, and the religious works of John Tavener and Buxtehude clearly supportive.
This is not to say we take our association with DARK MOFO lightly. Last year after arranging a series called Midnight Concerts we were dismayed to see that they were billed as The Witching Hour. When this was drawn to my attention I contacted them and after a long discussion about why this title whilst witty was inappropriate and DARK MOFO retitled the series on the website.
This then leads to why I think it is worth the challenges perhaps even risks involved in being involved with DARK MOFO. I was able to speak to the artistic director about our concerns, about Christian faith, and why Christians should support the arts. It is a wonderful privilege to be engaged in such a discussion.
For as Christians we should believe in art. In part this is why we have the Creed artworks on display in the Cathedral, Furthermore in the Creed we say that we believe in a creative God and we believe we are made in his image, so we are creative people.
My prayer is that as people who would not normally darken our doors are welcomed into the Cathedral that they may start to see something of the light of Christ as they look at what we believe and consider what they believe. I pray that you would join me in that prayer.
God bless, Richard.
The Dean recently wrote on the connection between Easter and Sanctuary and why the cross is so important in the poster.
“The events of Easter at their heart are about God being involved in offering us sanctuary. We could look at this in many different ways. Consider the pastoral image of sanctuary that we find in the 23rd Psalm, of safety and, provision. Ultimately this sanctuary is provide by the death of the Good Shepherd who lays down his life for the sheep.
We could think of the wonderful words from Isaiah 53, our wholeness our healing comes at the cost of the one who suffered for us
In the Passion narrative in Luke 23, Barabbas, the guilty one is released, set free as another takes his place. The thief on the cross when he recognises Jesus as King is promised paradise, eternal sanctuary.
As Paul puts it in Colossians 1 “God has rescued us from the power of darkness and transferred us into the kingdom of his beloved Son in whom we have redemption, the forgiveness of sins… and through him God was pleased to reconcile to himself all things, whether on earth or in heaven, by making peace through the blood of his cross.” At the cross we have provision, peace, forgiveness, redemption, freedom and hope. As we look at the cross we see that sanctuary is offered here.
When we reflect on this, not only should we be pointing people to the cross to find this Sanctuary but it must impact our thinking on bearing the cost of offering sanctuary to others.